Script translations:
→ O agente secreto, by Kleber Mendonça Filho (Brazil): screenplay translation for MK2 Production (supported by the CNC and Arte Cinema), official selection at the 2025 Cannes Film Festival, Best Director Award, FIPRESCI Award and Best Actor Award.
→ Hombre al agua, by Gael García Bernal (Mexico): screenplay translation for MACT Productions (Venice Film Festival 2026).
→ A professora de francês, by Ricardo Alves Jr. (Brazil): screenplay translation for Entrefilmes and Les Valseurs (supported by the CNC, San Sebastián Film Festival 2026).
→ A margem do rio, by Enock Carvalho and Matheus Farias (Brazil): screenplay translation for Poetik Film (Locarno 2026, Special Jury Award).
→ La muerte no tiene dueño, by Jorge Thielen Armand (Venezuela): screenplay translation for Ardimages (Directors’ Fortnight 2026).
→ Ciudad sin Sueño, by Guillermo García López (Spain): screenplay translation for Les Valseurs (supported by the Nouvelle-Aquitaine region), “Critics’ Week” selection at the 2025 Cannes Film Festival.
→ La misteriosa mirada del flamenco, by Diego Céspedes (Chile): screenplay translation for Les Valseurs (supported by the Nouvelle-Aquitaine region), “Un Certain Regard” Award at the 2025 Cannes Film Festival.
→ A natureza das coisas invisiveis, by Rafaela Camelo (Brazil): screenplay translation for Vertical Productions (Berlinale Generation 2025).
→ Manas, by Marianna Brennand (Brazil): screenplay translation for Mariola Filmes (official selection at the Venice Film Festival 2024).
→ El ladron de Perros, by Vinko Tomičić (Chile/Bolivia): screenplay translation for the Cinéfondation Residency / Easy Riders Films (Tribeca 2024).
→ Cidade, Campo, by Juliana Rojas (Brazil): screenplay translation for Good Fortune Films and Dezenove Som e Imagens (Berlinale Encounters 2024, Best Director Award).
→ Zafari, by Mariana Rondón (Venezuela): screenplay translation for Still Moving (supported by the CNC) / TIFF and San Sebastián IFF 2024.
→ Horizon, by Cesar Augusto Acevedo (Colombia): screenplay translation for Ciné Sud Promotion (supported by the CNC) / TIFF 2024 selection.
→ Querido trópico, by Ana Endara (Panama): screenplay translation for Poetik Film (TIFF 2024 selection).
→ Levante, by Lillah Halla (Brazil): screenplay translation for InVivo Films (supported by the Nouvelle-Aquitaine regional fund) / official selection at the Critics’ Week of the 2023 Cannes Film Festival, FIPRESCI Award.
→ Sem coração, by Nara Normande and Tião (Brazil): screenplay translation for Les Valseurs (supported by the CNC) / official “Orizzonti” selection at the Venice Film Festival 2023.
→ Piel pulpo, by Ana Cristina Barragán (Ecuador): screenplay translation for Promenades Films (San Sebastián IFF 2022).
→ Carvão, by Carolina Markowicz (Brazil): screenplay translation for Superfilmes (TIFF 2022).
→ Anhell 69, by Theo Montoya (Colombia): screenplay translation for Dublin Films (supported by the Nouvelle-Aquitaine regional fund; official selection at the Venice Film Festival 2022).
→ Regra 34, by Julia Murat (Brazil): screenplay translation for Bubbles Project / MPM Films (Golden Leopard at the Locarno Film Festival 2022).
→ Tinnitus, by Gregorio Graziosi (Brazil): screenplay translation for the Cinéfondation Residency / Superfilmes (Karlovy Vary IFF 2022).
→ Candela, by Andrés Farías (Dominican Republic): screenplay translation for Monte y Culebra and Vertical Productions (supported by the Nouvelle-Aquitaine regional fund) / Jury Award at the Biarritz Film Festival 2021.
→ A casa das antiguidades, by João Paulo Miranda Maria (Brazil): screenplay translation for Maneki Films / Bossa Nova Films (supported by the CNC) / official selection at the 2020 Cannes Film Festival.
→ La Fortaleza, by Jorge Thielen Armand (Venezuela): screenplay translation for Ardimages (supported by the Nouvelle-Aquitaine regional fund) / Tiger Competition, IFFR 2020.
→ Luz nos Trópicos, by Paula Gaitán (Brazil): screenplay translation for Aruac Filmes / Haut les Mains / Berlinale Forum 2020 selection.
Projects still in production:
→ Remanso, by Pablo Lamar (Paraguay): screenplay translation for Still Moving (supported by the CNC).
→ Chovoré, by Alejandro Loayza Grisi (Bolivia): screenplay translation for Promenades Films (supported by the CNC).
→ Galerna, by Tatiana Huezo (Mexico): screenplay translation for La Chauve Souris and Pimienta Films.
→ A última montanha, by Nara Normande (Brazil): screenplay translation for MyMama Production.
→ Colhões de ouro, by Lillah Halla (Brazil): screenplay translation for Manjericão Filmes and Kazak Productions.
→ Neon River, by Karim Aïnouz (Brazil): screenplay translation for Gullane Filmes and Maneki Films.
→ Legitima, by Elisa Miller (Mexico): screenplay translation for Pimienta Films and MACT Production.
→ Pantera, by Marcelo Caetano (Brazil): screenplay translation for Still Moving.
→ Otro Jardin, by Mariana Gil Ríos (Colombia): screenplay translation for Dublin Films.
→ Memorias roubadas, by Guto Parente (Brazil): screenplay translation for Tardo Filmes.
→ Victoria en las nubes, by Ana Endara (Panama): screenplay translation for Respiro Productions.
→ O Funeral, by Carolina Markowicz (Brazil): screenplay translation for Biônica Filmes.
→ Adios, A Satan, by José Pablo Escamilla (Mexico): screenplay translation for Dublin Films.
→ Canção da noite, by Maya Da-Rin (Brazil): screenplay translation for Still Moving.
→ Malestar tropical, by Jorge Cadena (Colombia): screenplay translation for Still Moving & GoldenEgg Production.
→ The Blue Flamingo, by Beatriz Seigner (Brazil): screenplay translation for Ciné Sud Promotion.
→ Celosos Hombres Blancos, by Ivan Granovzky (Argentina): screenplay translation for Dublin Films.
→ Bush Dog, by Gustavo Steinberg (Brazil): screenplay translation for Damned Films (supported by the Nouvelle-Aquitaine regional fund).
→ Continente, by Davi Pretto (Brazil): screenplay translation for Dublin Films (supported by the Nouvelle-Aquitaine regional fund).
→ Horse Boy, by Ari Folman (United Kingdom): screenplay translation for FullHouse.
→ Cartas desde el país de los Tarahumaras, by Federico Cecchetti (Mexico): screenplay translation for the Cinéfondation Residency and Ciné Sud Promotion.
→ Na trilha das borboletas azuis, by Vini Wolf (Brazil): screenplay translation for Les Films d’Ici.
→ Candy Town, by Yanillys Perez (Dominican Republic): screenplay translation for Promenades Films.
→ Men to kill, by Kivu Ruhorahoza (Rwanda): screenplay translation.
→ Soon we will be history here, by Saeed Taji Farouky (Palestine): screenplay translation for Candle & Bell (United Kingdom) and Grande Ourse Films.
→ Hijo Mayor, by Cecilia Kang (Argentina): screenplay translation for InVivo Films (supported by the CNC).
→ Tus dos muertos, by Daniel Castro Zimbrón (Mexico): screenplay translation for Varios Lobos.
→ Laura y el Calabozo, animated film by Ricardo B’atz (El Salvador): screenplay translation for La Luna Productions.
→ Enquanto eles dormem, by Beatriz Seigner (Brazil): screenplay translation for Ciné Sud Promotion.
→ Papiloscopista, by Carlos Segundo (Brazil): screenplay translation for Les Valseurs.
→ Crisântemo amarelo, by André Saito (Brazil): screenplay translation for MyMama Production.
Subtitles
→ Zafari, by Mariana Rondón (Venezuela) : Still Moving / San Sebastián IFF 2024
→ Cidade, Campo, by Juliana Rojas (Brazil)
→ Yo ví tres luces negras, by Santiago Lozano (Colombia): subtitles for Dublin Films Cinelatino (Toulouse) 2024, « Coup de coeur » Award
→ Atlas Oculto, documentary by Anne-Laure Boyer (France/Spain): subtitles for Atelier documentaire
→ Sem coração, by Nara Normande & Tião (Brazil): subtitles for Les Valseurs & CinemaScopio / Mostra de Venezia « Orizzonti » 2023
→ Crowrã, A flor do buriti, by João Salaviza & Renée Nader (Brazil/Portugal): subtitles for Ad Vitam Distribution / Festival de Cannes « Un Certain Regard » 2023, Prix d’Ensemble
→ Levante, by Lillah Halla (Brazil): subtitles for InVivo Films / Semaine de la critique du Festival de Cannes 2023, Prix FIPRESCI
→ Coconut Head Generation, by Alain Kassanda (France/Nigeria): subtitles / Cinéma du Réel 2023, Grand Prix du Jury
→ Pornomelancolía, by Manuel Abramovich (Argentina/Mexico): subtitles for Dublin Films / San Sebastián IFF 2022
→ El Ladrón de Perros, by Vinko Tomičić (Chili/Bolivia): work-in-progress subtitles for Easy Riders Films (supported by the french CNC)
→ La Roya, by Juan Sebastián Mesa (Colombia): subtitles for Dublin Films / San Sebastián IFF 2021
→ Marinheiro das montanhas, by Karim Aïnouz (Brazil/Algeria): Big Sister / Séances spéciales Festival de Cannes 2021
→ Trouble Sleep, by Alain Kassanda (France/Nigeria): / Official selection Visions du Réel 2020, Jury Special Award
→ Todos os mortos, by
→ Shine your eyes, by Matias Mariani (Brazil): script translation and subtitling for MPM Films (supported by the french CNC) / Berlinale Panorama 2020 Selection
→ Fendas, by Carlos Segundo (Brazil): subtitling for Les Valseurs / official selection FID Marseille 2019
→ Ceniza Negra, by Sofía Quirós (Costa Rica): script translation for Promenades Filmes / Sputnik (supported by the french CNC) and subtitling / La Semaine de la Critique – Cannes 2019
→ La muerte de un perro, by Matias Ganz (Uruguay): script translation and subtitling for Les Valseurs / Tallinn Black Nights Film Festival 2019
→ Chuva é cantoria na aldeia dos mortos, by Renée Nader and João Salaviza (Brazil/Portugal): subtitling for Entrefilmes / Un Certain Regard Special Jury Prize – Cannes 2018
→ Entre eu e Deus, by Yara Costa (Mozambique): subtitling / official selection DocLisboa 2018
→ Gabriel e a montanha, by Fellipe Barbosa (Brazil): script translation (supported by the CNC and Arte) and subtitling for TvZero / Damned Films / Prix Révélation France 4 and Gan Foundation Award for Broadcasting of the Semaine de la Critique – Cannes 2017
→ Joaquim, by Marcelo Gomes (Brazil): subtitling / official selection at the Berlinale 2017
→ Rey, by Niles Atallah (Chile), for Mômerade: working subtitles for an early cut and collaboration on the festival version subtitles / Jury Prize at the Rotterdam Film Festival 2017
→ Viajo porque preciso, volto porque te amo by Karim Aïnouz & Marcelo Gomes (Brazil, 2009), for Damned Films: subtitles adaptation and DVD bonus
Other written translations:
→ Articles Translation (Portuguese and Spanish / French) for Les Cahiers du Cinéma and SoFilm
→ Transcription and translation (Portuguese / French) of rushes and interviews from a documentary on recycling cooperatives in Brazil
→ Translation of articles for Awotele, the review of film critics
Live translation : introduction and Q&As, interviews for newspapers, radio programme, presentation in front of a large audience, live translation on set
→ Cinelatino Toulouse since 2014
→ Festival Biarritz-Amérique Latine since 2013
→ Les Reflets du Cinéma Brésilien (Mayenne, France, 2023)
→ Dilma Rousseff & Fernando Haddad during their visit to Paris in February 2020, organized by RED.Br
→ Sonia Bone Guajajara, Djamila Ribeiro, Joice Berth, Sebastião Salgado, Christiane Jatahy and Julio Ludemir at an event on endangered culture in Brazil in October 2019, organized by RED.Br at the Théâtre de l’Odéon (Paris)
→ Live translation on set during the shooting of a French documentary on recycling cooperatives in Belo Horizonte (Brazil, 2016)
Cultural production
→ Ouaga Film Lab (2016-2021): the first development and co-production laboratory in West Africa, entirely dedicated to the continent’s young talents:
- general coordination of the Lab
- fundreasing
- coordination of the call for projects
- animation of social networks
- writing content for the website and the catalog
- support for project leaders during the Lab…
→ Fonds pour la Jeune Création francophone (2018-2021): coordination of the call for projects and appraisal of projects (short films, feature films, series in development, production and post-production), in collaboration with the CNC. Envisaged as a system of selective aid intended to support the dynamism of creation for cinema works and audiovisual series, the Fund aims to promote the emergence of promising talent in the countries of French-speaking sub-Saharan Africa and Haiti.
→ RecLab’18 : coordination of the organization of Recife’s International Coproduction Workshop (Brazil)
→ FIDADOC 2017 and 2018 : coordination of the organization of the event (follow-up of film invitations and screening copies; preparation of the content of the catalog; collaboration with the teams in charge of the travelling screenings, screenings for school audiences and for the competition screenings; reception of guests during the festival…)
→ Viajo porque preciso, volto porque te amo by Karim Aïnouz & Marcelo Gomes (Brazil, 2009) : Developing marketing strategy for the French release
→ Donwahi‘s cineclub 2015 (Abidjan, Ivory Coast): foundation and debate facilitation
→ Festival du cinéma brésilien de Paris 2013, production assistant
Facilitation of a script rewriting workshop
In September 2021, as part of the « Rencontres – Les imaginaires du consentement« : facilitation of a rewriting workshop, from a feminist perspective, of the narrative of Jacques Demy’s Peau d’Âne. Thus, we questioned the sexist biases that permeate the construction of our imaginations; and took back the power by creating new narrations.
Film programming
→ Beluga Pictures, International Distribution of content for TV : collaboration on programming for several TV channels
→ Festival international du film des droits de l’homme 2016: short-films selection
→ Les Lucioles du doc (community education organization, using documentaries films as a media to raise awareness): monthly image education workshops facilitation
