Subtitling
→ Marinheiro das montanhas, by Karim Aïnouz (Brazil/Algeria): subtitling of the film for Big Sister / Séances spéciales Festival de Cannes 2021
→ Trouble Sleep, by Alain Kassanda (France/Nigeria): subtitling / Official selection Visions du Réel 2020, Jury Special Award
→ Todos os mortos, by Caetano Gotardo and Marco Dutra (Brazil): subtitling of the film for Good Fortune Films and Dezenove Som e Imagens / Berlinale 2020 Official Selection
→ Shine your eyes, by Matias Mariani (Brazil): script translation and subtitling of the film for MPM Films (supported by the french CNC) / Berlinale Panorama 2020 Selection
→ Ceniza Negra, by Sofía Quirós (Costa Rica): script translation for Promenades Filmes / Sputnik (supported by the french CNC) and subtitling of the film / La Semaine de la Critique – Cannes 2019
→ La muerte de un perro, by Matias Ganz (Uruguay): script translation for Les Valseurs / Tallinn Black Nights Film Festival 2019
→ Chuva é cantoria na aldeia dos mortos, by Renée Nader and João Salaviza (Brazil/Portugal): subtitling of the film forEntrefilmes / Un Certain Regard Special Jury Prize – Cannes 2018
→ Entre eu e Deus, by Yara Costa (Mozambique): subtitling of the film / official selection DocLisboa 2018
→ Gabriel e a montanha, by Fellipe Barbosa (Brazil): script translation (supported by the CNC and Arte) and subtitling of the film for TvZero / Damned Films / Prix Révélation France 4 and Gan Foundation Award for Broadcasting of the Semaine de la Critique – Cannes 2017
→ Joaquim, by Marcelo Gomes (Brazil): subtitling of the film / official selection at the Berlinale 2017
→ Rey, by Niles Atallah (Chile), for Mômerade: working subtitles for an early cut and collaboration on the festival version subtitles / Jury Prize at the Rotterdam Film Festival 2017
→ Viajo porque preciso, volto porque te amoby Karim Aïnouz & Marcelo Gomes (Brazil, 2009), for Damned Films: subtitles adaptation and DVD bonus
Script translations:
→ Zafari by Mariana Rondón (Venezuela): script translation for Still Moving
→ Horizonte, by Cesar Augusto Acevedo (Colombia): script translation for Ciné Sud Promotion (supported by the french CNC)
→ Sem coração, by Nara Normande and Tião (Brazil): script translation for Les Valseurs (supported by the french CNC)
→ Candela, by Andrés Farías (Dominican Republic): script translation for Monte y Culebra (supported by the Nouvelle Aquitaine regional fund) / Jury Special Award Festival de Biarritz 2020
→ A casa das antiguidades, by João Paulo Miranda Maria (Brazil): script translation for the Cinéfondation’s Residence and Maneki Films (supported by the french CNC) / Cannes 2020 official selection
→ La Fortaleza, by Jorge Thielen Armand (Venezuela): script translation for Ardimages (supported by the Nouvelle Aquitaine regional fund) / Tiger competition at IFFR 2020
→ Luz nos Trópicos, by Paula Gaitán (Brazil): script translation for Aruac Filmes / Haut les Mains / Berlinale Forum 2020 Selection
→ Ainda by Lillah Halla (Brazil): script translation for InVivo Films (supported by the Nouvelle Aquitaine regional fund)
→ Bush Dog by Gustavo Steinberg (Brazil): script translation for Damned Films (supported by the Nouvelle Aquitaine regional fund)
→ The Blue Flamingo, de Beatriz Seigner (Brazil): script translation for Ciné Sud Promotion
→ Perros, by Vinko Tomičić (Chile / Bolivia): script translation for the Cinéfondation’s Residence / Easy Riders Films
→ Horse Boy, by Ari Folman (UK): script translation for FullHouse
→ Cartas desde el país de los Tarahumaras, by Federico Cecchetti (Mexico): script translation for the Cinéfondation’s Residence and Ciné Sud Promotion
→ Quando a minha vida era a minha vida, by Carolina Markowicz (Brazil): script translation for Superfilmes / Still Moving
→ Na trilha das borboletas azuis, de Vini Wolf (Brazil): script translation for Les films d’ici
→ Tinnitus, by Gregorio Graziosi (Brazil): script translation for the Cinéfondation’s Residence / Superfilmes
→ Candy Town, by Yanillys Perez (Dominican Republic): script translation for Promenades Filmes
→ Men to kill, by Kivu Ruhorahoza (Rwanda): script translation
→ Regra 34, by Julia Murat (Brazil): script translation for Esquina Filmes / MPM Films
→ Cidade, Campo, by Juliana Rojas (Brazil): script translation for Good Fortune Films
and Dezenove Som e Imagens
→ Piel Pulpo, by Ana Barragan (Ecuador): script translation for Promenades Films
Other written translations:
→ Articles Translation (Portuguese / French) for Les Cahiers du Cinéma
→ Transcription and translation (Portuguese / French) of rushes and interviews from a documentary on recycling cooperatives in Brazil
→ Translation of articles for Awotele, the review of film critics
Live translation : introduction and Q&As, interviews for newspapers, radio programme, presentation in front of a large audience, live translation on set
→ Cinelatino Toulouse since 2014
→ Festival Biarritz-Amérique Latine since 2013
→ Dilma Rousseff & Fernando Haddad during their visit to Paris in February 2020, organized by RED.Br
→ Sonia Bone Guajajara, Djamila Ribeiro, Joice Berth, Sebastião Salgado, Christiane Jatahy and Julio Ludemir at an event on endangered culture in Brazil in October 2019, organized by RED.Br at the Théâtre de l’Odéon (Paris)
→ Live translation on set during the shooting of a French documentary on recycling cooperatives in Belo Horizonte (Brazil, 2016)
Events management & marketing
→ Ouaga Film Lab (since 2016): the first development and co-production laboratory in West Africa, entirely dedicated to the continent’s young talents:
- general coordination of the Lab
- fundreasing
- coordination of the call for projects
- animation of social networks
- writing content for the website and the catalog
- support for project leaders during the Lab…
→ Fonds pour la Jeune Création francophone (since 2018): coordination of the call for projects and appraisal of projects (short films, feature films, series in development, production and post-production), in collaboration with the CNC. Envisaged as a system of selective aid intended to support the dynamism of creation for cinema works and audiovisual series, the Fund aims to promote the emergence of promising talent in the countries of French-speaking sub-Saharan Africa and Haiti.
→ RecLab’18 : coordination of the organization of Recife’s International Coproduction Workshop (Brazil)
→ FIDADOC 2017 and 2018 : coordination of the organization of the event (follow-up of film invitations and screening copies; preparation of the content of the catalog; collaboration with the teams in charge of the travelling screenings, screenings for school audiences and for the competition screenings; reception of guests during the festival…)
→ Viajo porque preciso, volto porque te amo by Karim Aïnouz & Marcelo Gomes (Brazil, 2009) : Developing marketing strategy for the French release
→ Donwahi‘s cineclub 2015 (Abidjan, Ivory Coast): foundation and debate facilitation
→ Festival du cinéma brésilien de Paris 2013, production assistant
Facilitation of a script rewriting workshop
In September 2021, as part of the « Rencontres – Les imaginaires du consentement« : facilitation of a rewriting workshop, from a feminist perspective, of the narrative of Jacques Demy’s Peau d’Âne. Thus, we questioned the sexist biases that permeate the construction of our imaginations; and took back the power by creating new narrations.
Film programming
→ Beluga Pictures, International Distribution of content for TV : collaboration on programming for several TV channels
→ Festival international du film des droits de l’homme 2016: short-films selection
→ Les Lucioles du doc (community education organization, using documentaries films as a media to raise awareness): monthly image education workshops facilitation
